With the disappointment of Disney’s The Lone Ranger still fresh on my mind, it was recommended to me that I check out another updating of an old masked hero that had thrilled moviegoers and readers generations ago. So I finally checked out The Mask of Zorro. He was also given a modernized big-budget treatment awhile back and it’s much better and more entertaining than I had expected.
The aging Don Diego de la Vega (Anthony Hopkins) who has been the black costumed sword-swinging avenger protecting Mexican peasants from the evil and corrupt is captured by the sinister governor Don Rafael Montero (Stuart Wilson). de la Vega’s wife is killed, his baby girl taken by Montero and Zorro is thrown in a prison never expected to see the light of day again.
Twenty years later Montero returns from Spain with de la Vega’s daughter Elena (Catherine Zeta-Jones) who he has raised as his own. She is unaware of her true heritage and that her true father is really the famous Zorro, who just so happens has managed to escape from his prison.
Vowing for revenge, but realizing he could use some young assistance, de la Vega meets Alejandro (Antonio Banderas) an angry thief who he agrees to train in the ways of the sword to help him avenge his brothers death and help him in stopping Montero’s plan of controlling California.
With the help of some training after a twenty year absence Z’s are being cut into walls, bad guys are getting knocked off their feet and Montero’s big plan is in jeopardy.
This is a really fun movie. The story is straightforward, the action is nicely put together and all the actors are effective in their roles. Everyone seemed onboard and enthusiastic to make a swashbuckling film with all the good stuff – swordfights, horse chases, acrobatics, big rusty guns firing holes through wood.
Fortunately, director Martin Campbell stages all the sequences with precision and tries to toss in some inventiveness where he can. When the action starts to unfold it’s hard not to get lost and get swept up into it. The swordplay is especially impressive by all the actors and luckily Campbell knew not to cut those fights into little pieces and he allows us to admire all the choreography and work that obviously went into doing them.
Plus, Zorro is a character the movie makes you want to root for. They actually respect their title character, unlike The Lone Ranger. Here we get to see why the peasants are cheering for him, we see his skills and there’s a reason why the bad guys should be worried about him. He’s a hero and not a joke. There are few good-natured self-referential jokes, but for the most part he’s handled with respect and we’re never meant to laugh at him.
Hopkins and Banderas are both good in their mentor/student roles and convincingly pull off their action scenes. Wilson and Matt Letscher make their bad guys really nefarious and you just can’t wait until they get what’s coming to them. And Zeta-Jones…..man she never looked better. It’s almost distracting how good she looks in this.
It’s kind of ironic how two Welch actors and a Spainard were cast as Mexican characters here and unlike Johnny Depp playing the Native American Tonto, it actually works.
I think Hopkins looks the most out of place and they could have gone with someone better suited, but Banderas and Zeta-Jones are both well cast here despite them not being Mexican and they do have some nice chemistry during their dance and swordfight scenes.
It’s a contrast from Depp’s casting as Tonto – these two are better suited to play these roles despite not being Mexican and it’s not that far of a stretch to accept, whereas, Depp as Tonto was there only because was a movie star.